Seven Junipers continues Daruma week with this bold image by Nakahara Nantenbo (1839-1925), which is more than five feet tall. The work was painted ni 1912. The thin lines outlining Bodhidharma’s face (which lacks a nose) contrast with the broad arc that suggests his robe in the most minimalist manner possible, as well as with the rough, energetic calligraphy. The arc of the robe is drawn with such force that it has splashed ink over Bodhidharma’s left ear, from which an earring hangs.
Nantenbo, the artist’s priest name — he was abbot of the Zen monastery of Myoshinji in Kyoto — derives from bo (staff) and nanten (a kind of tree), alluding to the staff with which he struck practitioners whose attention faltered.
The epigraph reads “A flower opens five petals and bears fruit — all in its nature.”
The work is in the collection of the Asian Art Museum, San Francisco.